In this project, the artist aimed to tell the story of the company and its production method, characterized by the intersection of mechanical precision and a strong creative capacity.

The location of the artwork plays a fundamental role: it develops along the entrance wall of the main plant and extends into the lounge area, a space dedicated to breaks and gatherings for employees and collaborators. Through this commission, the company chose to invest in the well-being of its people, enhancing the work environment through the dialogue between art and business.

The scale of the wall made it possible to develop a long frieze in which the concept of Metamorfosi (Metamorphosis) takes shape: a process that leads from chaos to order and vice versa, in a relationship of mutual interdependence. The work can therefore be read in both directions, from left to right or from right to left, following a continuous flow of transformation.

The metamorphosis manifests through organic shapes that transform into geometric figures constructed according to an isometric perspective and, at the same time, geometric figures that evolve into natural elements, such as leaves, flowers, and water jets.

The organic shapes represent the more intuitive and creative dimension, recalling the company's ability to constantly direct itself toward research, innovation, and experimentation. The core of the transformation develops both through the lettering of the name "Bonfiglioli" and through the repetition of the company's distinctive graphic motif, consisting of the geometric shapes of the circle, the droplet, and the rhombus.

Metamorfosi thus aims to convey the character of a company in continuous evolution, capable of moving naturally between different fields: from research to design, and from mechanical precision to creative intuition. It is precisely this dynamism that has secured its international success, leading the company to stand out globally through the development of numerous patents.

The artwork created at the German Bonfiglioli plant was born from a specific request by the German branch, with the aim of telling the history and journey of the company from its foundation to the present day, embedding small details rich in meaning within the composition.

The subject of the work is a three-dimensional reinterpretation of the Bonfiglioli Riduttori logo. Its component elements—the circle, the rhombus, and the droplet—are transformed into a dynamic, harmonious composition full of movement.

The circle takes shape through a chain and a gear; the rhombus transforms into a window open to the future, while the droplet becomes a symbol of the dialogue between past and present: on one side, a train, which recalls the memory of the historic steel mills, and on the other, a vision inspired by natural elements, expressing a new design sensitivity.

On the left side of the artwork, a large mechanical detail represents the extraction of resources from the earth, evoking the origins of the material and the bond between industry, technology, and the local territory.

The composition develops as a succession of images and visual fragments that build an open narrative, devoid of a linear storyline, yet capable of suggesting connections, memories, and perspectives.

The presence of the Italian and German flags underlines the strong bond between the two countries and bears witness to the continuity of values that Bonfiglioli carries forward in its international growth.

The artwork was placed within the company's exhibition space and meeting room with the intent of enhancing the work environments, enriching them through the language of art, and helping to create a space capable of inspiring, welcoming, and representing the company's identity.

The mural created at the Calderara di Reno headquarters is an artistic interpretation inspired by Bonfiglioli and the values that unite and connect all its branches worldwide.

The artwork offers a reinterpretation of the company logo through the three-dimensional language that characterizes Alessandro Ferri’s artistic research, creating a dynamic composition of shapes in continuous motion.

The mural incorporates the flags of all the countries where Bonfiglioli operates. Some of these are deliberately left white and monochrome, symbolizing the company's future development and international expansion.

The composition unfolds through abstract shapes from which the distinctive marks of the Bonfiglioli Riduttori identity emerge—the droplet, the rhombus, and the circle—immersed in an interplay of colors, fragments, and surfaces evoking flags and sheets of paper fluttering in the wind.

At the center of the artwork, four large flags display the company's core values, arranged in a circle around the main symbol to emphasize their central role in Bonfiglioli's culture and identity.

The mural is an explosion of bright colors, a visual celebration capable of breaking up the monotony of the architectural space and restoring energy, vitality, and harmony to it, establishing a direct dialogue with the building that hosts it.

The artistic intervention is not limited to a decorative function but functions as a genuine meeting place at the foot of the building. The work integrates with the open space, the small garden, and the area intended for transit and rest, transforming this location into a square dedicated to communication, dialogue, and sharing.

The goal is to create a space capable of fostering connections between people, ideas, and values, where art becomes a tool for dialogue and belonging—a contemporary language that weaves together references to street art with the concepts of community, collaboration, and collective growth.

It is 2015 when the Municipality of Forlì opens a tender to allow private companies to take management of some of the city's roundabouts that are in a state of semi-neglect.

Bonfiglioli applies to "adopt" the roundabout in front of the Forlì plant, and from here begins the history of the Clementino Bonfiglioli Roundabout, which, after a long study and a complex project, is restored and embellished with a lawn, plants, and Icarus—the statue that welcomes those who visit Bonfiglioli.

Icarus was born from an idea of the students from the Liceo Artistico e Musicale of Forlì who, in November 2015, were invited to the Bonfiglioli plant to see the production world firsthand and draw inspiration for the artwork proposals to be submitted to an internal competition, with the winning piece destined to be placed on the roundabout.

The visit to the plant yielded excellent results, visible in the scale models presented by the students a few months later.

An internal commission, supervised by Sonia Bonfiglioli, decided that the project dedicated to Icarus was the one to be brought to life. Indeed, it is an installation rich in meaning: the 41 pillars symbolize the years the plant had achieved in 2016, the year the roundabout was inaugurated in the presence of the Mayor and key local authorities. The chosen material, Corten steel, has an industrial feel; the statue of Icarus, symbol of the city of Forlì, is positioned inside a steel gear ring, once again recalling the strong bond connecting Bonfiglioli to Forlì—the factory to the city. This demonstrates how strongly Bonfiglioli believes in social responsibility toward the local territory that hosts one of its largest production plants in the world.

To seal this fruitful local collaboration, the roundabout was officially named after Clementino Bonfiglioli at the end of 2020.